Title: The Original
Authors: Brandon Sanderson and Mary Robinette Kowal
Genre: Science Fiction
Rating: 4/5 stars
The Overview: In the near future, humans choose life – for a price. Injectable nanite technology is the lifeblood that flows through every individual wishing to experience the world through the lens of their own theme. While death from mortal wounds is still possible, life is made easier in a socially liberated society where automation and income equality allow passion pursuits to flourish over traditional work. Renewal stations are provided to every law-abiding citizen for weekly check-ins, which issue life-sustaining repairs in exchange for personal privacy. But what becomes of those who check out, of those who dare to resist immortality and risk being edited under the gaze of an identity-extracting government surveillance system? [The description was about as long as the book, so I only copied the first third of it] -Goodreads
I was hooked from the very first sentence.
The story had a cool concept: a reborn clone of a murderer who’s sole purpose is to hunt and kill her “original.” It had a futuristic setting where a new “nanite” technology actively alters reality, tapping into your preferences and makes changes on everything you experience based on both conscious and unconscious data. I found it fascinating. It was easy to imagine how tech like that could make people lose touch with reality – highlighting the novelty of the tactile elements in a digitally-run world. The authors did a great job infusing this concept through every fiber of the story with fantastic use of sensory input description. It was total immersion. I found it especially poignant when dealing with the murder scene, as the description evoked a lot of uncomfortable and visceral feelings. All of this seamless infusion would make a great case study on world building for budding writers.
Julia Whelan was an awesome narrator. She was relatable and earnest in a way that really helped sell the story. Her POV was so perplexed… how could she possibly have committed a crime? The confusion and angst in her performance was palatable, making me think right from the start that there must be another explanation to what happened. She makes you feel the history and love between the main character and the victim. It spurred a lot of great questions and immediately hooked me for the rest of the story. I needed to find out what really happened. It was essential.
Recommendations: Overall, this was a fantastic audio production that will keep you on your toes. I especially recommend it if you’ve enjoyed some of Sanderson’s other mind-bending short stories like Snapshot and Legion. I haven’t read anything by Kowel yet, but after this, The Calculating Stars has definitely been bumped up my priority list.
I’d like to thank RB Media, Brandon Sanderson and Mary Robinette Kowal, and NetGalley for the chance to listen to and review an early copy of The Original.
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