Title: The Blacktongue Thief
Author: Christopher Buehlman
Series: Blacktongue #1
Rating: 4/5 stars
The Overview: Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark. Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants. Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva’s. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford. -Goodreads
When Robin Hobb calls something “Dazzling.” I stop what I’m reading and pick it up.
This book was an absolute delight from start to finish. I laughed out loud so many times, it might now hold the record. It’s that dry, sardonic humor I always appreciate combined with a strong voice that carried the entire story. Definitely unconventional, it was funny without being stupid and animated without being overdone.
I was completely enamored until about the 80% mark, then my evaluation brain kicked on for a bit and I started to wonder if the story was amounting to anything or if was just all about the character and the delivery. The plot was incredibly straightforward and linear, in sharp contrast to a lot of the more complex fantasy novels being written these days. However it was still really interesting, containing some of the best chapter hooks I’ve read in ages. I definitely don’t mind simple as long as it’s done well.
What I do mind is lack of growth, little momentum, and small payoffs. It seemed to me the main character was in the exact same state of mind at the end of the book as he was at the beginning. Showing practically no growth, it made his character come across very surface-level. If not for the brilliant use of humor to show depth (somewhat reminiscent of Abercrombie’s Glokta, but a bit more jovial) I think I would’ve lost patience with him early on.
As it stands, the character voice and witty humor were enough to carry the book and make it incredibly fun to read despite the lack of aforementioned development or any sort of momentum. If those two things improve even a little in the next book while maintaining the elements I loved, I could have a new favorite on my hands. As it is, it’s just loads of irreverent fun.
Audiobook production: I was about halfway through the book, thinking the narrator was doing a great job digging into the nuances of the dialogue and delivering everything in a very conversational manner, before realizing that it was being read by the author himself O_o! To say he did a great job is an understatement. He really brought the text alive with his intimate relationship with the writing and knowledge of how things were supposed to sound. I imagine a few of the more subtle jokes landed because of his delivery that may not have otherwise. The only thing that suffered was the differentiation between characters. I had to pay closer attention to tags to figure out who was speaking because I couldn’t always tell by the voices alone. That was minor though. What was lost in character distinction was more than made up for by his conversational (and hilarious) dialogue. I highly recommend the audiobook. :)
Recommendations: this is a new slightly grimdark fantasy that delivers tenfold on humor and general entertainment. What it lacks in depth it more than makes up for in style. I’d highly recommend this to those who loved my suggested reading below, particularly the Greatcoats series by de Castell.
I’d like to thank Macmillian Audio, Christopher Buelhman, and Netgalley for the chance to read and review an early copy of this title.
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by Niki Hawkes