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DNF Q&A: Mutineer by Mike Shepherd

Title: Mutineer

Author: Mike Shepherd

Series: Kris Longknife

Genre: Science Fiction

Rating: 1/5 stars

The Overview: Kris Longknife is a daughter of privilege, born to money and power. Her father is the Prime Minister of her home planet. Her mother the consummate politician’s wife. She’s been raised only to be beautiful and marry well. But the heritage of the military Longknifes courses through Kris’s blood-and, against her parents’ objections, she enlists in the marines. -Goodreads

The Review:

When trying to make a decision on whether or not to read something, it can often be much more helpful to look at the low star ratings than the high ones. To that end I’m going to be including more DNF reviews in my lineup. I have a Q&A format here that I adapted from Nikki at There Were Books Involved (with permission, which is important even if her blog doesn’t exist anymore), and I think it’s a great way to discuss the book constructively. Here goes:

Did you really give Mutineer a chance?

Not as much as I usually give before throwing in the towel – 25%. But it was clear from very early on the book was not going to resonate with me.

Have you enjoyed other books in the same genre?

Space Opera SciFi? Heck yeah! Even the cheesier ones. I was hoping this series would be a fun palate cleanser between other reads, but alas. Here are a few I enjoyed a lot more:

Did you have certain expectations before starting it?

Hopeful optimism that the books would be at least 3-star quality. Beyond that I felt like I was ready to put up with a lot of weaker components if the overall story was entertaining.

What ultimately made you stop reading?

Ugh. About the point where the main character was in someone’s kitchen planetside describing the finer points of white flour and Ghirardelli chocolates, I lost patience. We were so completely removed from what I signed up for that I’d had enough. I read a few chapters more, but knew it was going to be a DNF. There were just too many things leading up to that point that had me dissatisfied.

Character development was one of the biggest misses.

The main character was not realistic to me in the slightest. Having suffered trauma at an early age, the character experienced several unbelievable reactions early on in the book. Where the mere mention of the event sent her into fits of fainting, unable to control her body. It was eye-rolling and very immature.

I’m by no means downplaying the different effects trauma can have on someone. To add context, this woman grew up very wealthy (using the “poor little rich girl” angle that drove me crazy) and her family was aware of the trauma. As infeasible as I find it that someone with that much distance from the event and resources available to heal from it would still be experiencing reactions to that degree years later, it’s the fact that she’s a ranking military officer that finalized how much I disliked that plot point. I’ve never been in the military, but I’m pretty sure they don’t let you in without background checks and psychological evaluations to ensure you’re not going to have episodes in the middle of dangerous situations where you could get others killed. At the very least she would’ve gotten help from the base shrink.

This is a very specific rant, yet the unrealistic aspects of the story kept trickling in left and right to the point where the author lost my trust in his ability to deliver a story that would work for me.

The final tip off was when the main character’s parents were introduced, and as it turns out she was not only a spoiled rich girl, but a petulant one at that. Peace out.

Is there anything you liked about Mutineer?

The fact that it was a Scifi. Although considering how little of the first part had to do with actual space, I’m more or less assuming here.

Would you read anything else by the author?

No. I need things to make more sense than they did here, and I need more realistic development of characters. The author and I are so far apart on preferences that I don’t think it possible to ever meet in the middle.

So you DNFed the book. Would you still recommend it?

Well, since most my complaints were very specific dislikes about the plot itself (and how unrealistic I found them), perhaps someone with more patience and a willingness to go with the flow might actually like it when they get to the space parts. At this point I probably wouldn’t mention it even in passing to someone though. Most books that I don’t like are from an evaluation standpoint, whereas this one actively annoyed the snot out of me lol.

by Niki Hawkes

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Book Review: The Last Emperox by John Scalzi

Title: Last Emperox

Author: John Scalzi

Series: Interdependency #3

Genre: Science Fiction

Rating: 2/5 stars

The Overview: The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems—and billions of people—are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction . . . and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known. Emperox Grayland II has finally wrested control of her empire from those who oppose her and who deny the reality of this collapse. But “control” is a slippery thing, and even as Grayland strives to save as many of her people form impoverished isolation, the forces opposing her rule will make a final, desperate push to topple her from her throne and power, by any means necessary. Grayland and her thinning list of allies must use every tool at their disposal to save themselves, and all of humanity. And yet it may not be enough. Will Grayland become the savior of her civilization . . . or the last emperox to wear the crown? -Goodreads

The Review:

Considering the book didn’t actually start until 75% in, I think a 2 star rating quite generous.

Coming off the amazing, fast-paced whirlwind that was Consuming Fire, I launched into Last Emperox braced for a killer finale! Then slowly, chapter by slogging chapter, I realized the best bits of the series were probably behind me.

The first third of the novel was an extensive recap of what had happened in the series to that point. Albeit dressed up as character introspection where we worked to solidify their personal convictions. But during this time no actual plot advancement made an appearance.

The middle third of the book took all of that recap and turned it into character reflection. Where we sat around and analyzed what had happened in the first two books and agreed that yes, we need to stick to our plans. One good solid point of plot-advancing happened here, and it was enough to keep me reading, but only just.

Then finally, within the last 50 pages of the book, things came together and we discovered what we’d been working towards this entire series. It was a good ending. Perhaps even a satisfying one in some ways. But the drainage of any iota of momentum by way of totally excessive empty word count had me putting down the story wishing I’d felt as I’d had after finishing book 2.

Based on the number of plot-advancing points in this final book, I think the series would’ve been much stronger written as a duology. It only would’ve needed to add a few of the good chapters from book 3 to the end of book 2, and for me it would’ve been much more successful. At the moment I’m sitting on a $25 hardcover of the third book feeling a little like I’ve been swindled (good thing I got it on a good sale).

I suppose if you just loved the characters a lot more than I did, you may have relished in the downtime spent in retrospect with them. At this point in the series, I was looking for momentum, action, and excitement. So you can see why I disconnected. In any case, it clearly wasn’t what I wanted it to be.

It’s a good thing this was a quick read.

Recommendation: this final book had a lot of filler content that almost killed the series for me. However, because the second book was so good, and the effort it took to get through to the grand finale of the series was relatively minimal (I read it in two days), I’d still recommend the trilogy as a whole for a fun, light Scifi read.

Other books you might like:

by Niki Hawkes

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Book Review: The Collapsing Empire by John Scalzi

Title: Collapsing Empire

Author: John Scalzi

Series: Interdependency #1

Genre: Science Fiction

Rating: 3/5 stars

The Overview: The first novel of a new space-opera sequence set in an all-new universe by the Hugo Award-winning, New York Times-bestselling author of Redshirts and Old Man’s War. Our universe is ruled by physics and faster than light travel is not possible — until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It’s a hedge against interstellar war — and a system of control for the rulers of the empire. The Flow is eternal — but it is not static. Just as a river changes course, The Flow changes as well, cutting off worlds from the rest of humanity. When it’s discovered that The Flow is moving, possibly cutting off all human worlds from faster than light travel forever, three individuals — a scientist, a starship captain and the Empress of the Interdependency — are in a race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse. -Goodreads

The Review:

I went into this first book on some really consistent high praise – many people hail this as their favorite Scalzi series to date. And while I enjoyed the book overall, I gotta say it didn’t knock my socks off. I much preferred Scalzi’s Old Man’s War as a series starter, truth be told. And I think most of that had to do with character development.

I liked the characters here, but they felt a little over-exaggerated. Especially Kira. An incredibly profane, debaucherous profile with absolutely no subtlety to her persona. It wasn’t so much that she dropped F-bombs in every sentence. It was more HOW she dropped the F-bombs. I love swearing in books. Not only does it make me laugh, but I feel it’s a fun way to add emphasis to the dialogue and characters. Two authors who integrate it brilliantly are Martha Wells (Murderbot) and Joe Abercrombie (First Law). I’ve said a variation of this before, but if swearing were an art form, our character Kira is finger painting with mud. There was no logic to the placement and was more or less just distracting. I suspect that I’m a bit of a profanity snob (who knew?) but it just didn’t work for me on any level. The only thing she had going for her were her no BS attitude and the quick-witted nature of her responses.

The other characters were much better, but I struggled on feeling any sort of connection to them other than mild interest. The villains were a hard sell for me as well. For people with that much money and resources, they were awfully short-sighted. They also lacked a thoroughness that was just too unrealistic for me to buy into.

I don’t mean to be all down about the book. I did like the overall mood and flow of the writing. Scalzi is such a feel-good Scifi author that even though I wasn’t in love with the characters, I was still enjoying the process of reading the book. I also liked the overall idea for the story. It’s easily his most ambitious plot structure I’ve read to date, and I appreciated how much thought must have gone into the flow-stream theory. It’s the kind of made-up sciency jargon I love in Scifi for its world building components.

Overall, even though it didn’t blow me away, I like the writing and the story enough to want to keep reading and (lucky me) the second book gave me everything I’d been hoping to get out of this series.

Recommendations: if you like lighthearted, easy reading Scifi, you can’t go wrong with Scalzi. His books are always fun reads with just enough plot and substance to make for a satisfying experience. As an intro to the series, this was a decent start. Wil Wheaton narrates the audiobook, and while his delivery matches the writing style perfectly, it will kind of feel like he’s yelling at you the whole time. Proceed with caution. Lol

Other books you might like:

by Niki Hawkes

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Book Review: Leviathan Falls by James S.A. Corey

Title: Leviathan Falls

Author: James S.A. Corey

Series: The Expanse #9

Genre: Science Fiction

Rating: 2.5/5 stars

The Overview: The Laconian Empire has fallen, setting the thirteen hundred solar systems free from the rule of Winston Duarte. But the ancient enemy that killed the gate builders is awake, and the war against our universe has begun again. In the dead system of Adro, Elvi Okoye leads a desperate scientific mission to understand what the gate builders were and what destroyed them, even if it means compromising herself and the half-alien children who bear the weight of her investigation. Through the wide-flung systems of humanity, Colonel Aliana Tanaka hunts for Duarte’s missing daughter. . . and the shattered emperor himself. And on the Rocinante, James Holden and his crew struggle to build a future for humanity out of the shards and ruins of all that has come before. As nearly unimaginable forces prepare to annihilate all human life, Holden and a group of unlikely allies discover a last, desperate chance to unite all of humanity, with the promise of a vast galactic civilization free from wars, factions, lies, and secrets if they win. But the price of victory may be worse than the cost of defeat. -Goodreads

The Review:

It has been almost three months since I read Leviathan Falls, the final novel in the Expanse series, and I’m finally ready to review it.

It was a good book, but it wasn’t the wow moment I had been hoping for.

I had a lot of expectations for this finale. Many ideas of what I wanted to see happen and a mental list of questions I wanted answered. I was more or less let down on all accounts. There were a few hints at answers, but they were presented in a dense, convoluted manner that in no way satiated my curiosity. While the book contained some decent character arc payoffs, it only just touched on the main series ones. The epilogue saved it from total disaster, but yet I am still left with more questions. If for a minute I let go of expectations, I can admit that there was an unconventional subtlety to the ending that had way more of an impact than if it had been sent off with guns blazing (figuratively speaking… mostly), and I admire the beautiful writing and element of craft in its composition… but yet, here I sit, still feeling a bit unsatisfied.

And I think it all comes down to series pacing and structure.

After the earth-shattering amazingness that was Nemesis Games, the series took a new direction. Focusing more on the “expanding” part of the series, it was definitely the beginning of a second arc. One I still felt connected to through many familiar faces. I didn’t necessarily love the new direction, but I was willing to give it the benefit of the doubt, putting my overall evaluation on hold until reading the last book. You see, if we weren’t working towards something momentous, did we really didn’t needs these endless pages of build-up? Probably not.

Taimant’s Wrath (book 8) was a slam dunk, completely momentous and profound installment that left me feeling all of those culminating emotions suitable for the end of a series. The trouble is, the series didn’t end there – it took all that great momentum and petered out into the last book.

A lot of the conflicts in book 9 felt contrived. Written in not because it had meaning to the series as a whole, but to give the characters more problems to navigate to perpetuate the story. The antagonist was a character we hadn’t seen before, and while I love the deep integration we get into the world of every human in this series and enjoyed her story, I didn’t think she served any purpose other than as a vehicle for plot advancement. Cut her story out entirely, and all the baggage that came with it, and there would’ve been a lot more room to actually explain what the heck has been going on this entire series. In more than just vague impressions.

If I can be so bold to suggest, the last half of the series would’ve been stronger with a different structure. Ideally books 6, 7, and part of 8 would be combined into one book – giving us enough time to acclimate to the new state of the story but still progressing it forward. Then the best bits of the remainder of 8 (all the momentous stuff that knocked me on my behind) combined with a very trimmed book 9. With perhaps a novella in between detailing the protomolecule’s origins. Or, even better, detailing it somewhere in the main text.

I know, easy enough for me to sit here and analyze and criticize. But that’s part of the reason it took me so long to write this review. I’d been trying to figure out exactly WHY the story felt disappointing. I’d been championing it as my favorite scifi ever since the fifth book came out, and I kept holding onto hope that it would continue to hold that spot after the final novel. The way it stands now, books 5&8 are among the strongest I’ve ever read in any genre, but I now feel compelled to add a few disclaimers when suggesting the series to others.

I’m not all bitter-sauce about it though. There are so many great moments and amazing characters (Avasarala will forever remain my chosen spirit-animal) within this series that make it so much fun to read and recommend. I will always have a special place in my soul for it, even if it didn’t ultimately end where I’d hoped.

Recommendations: if you’re looking for an action-packed space opera with some of the best character work in the business, you can’t go wrong with the Expanse. Even though this finale left me somewhat wanting, I don’t regret a single moment reading it, and in fact still cherish a lot of it.

Other books you might like:

by Niki Hawkes

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Book Review: You Sexy Thing by Cat Rambo

Title: You Sexy Thing

Author: Cat Rambo

Series: None Listed ATM

Genre: Science Fiction

Rating: 3/5 stars

The Overview: Just when they thought they were out… TwiceFar station is at the edge of the known universe, and that’s just how Niko Larson, former Admiral in the Grand Military of the Hive Mind, likes it. Retired and finally free of the continual war of conquest, Niko and the remnants of her former unit are content to spend the rest of their days working at the restaurant they built together, The Last Chance. But, some wars can’t ever be escaped, and unlike the Hive Mind, some enemies aren’t content to let old soldiers go. Niko and her crew are forced onto a sentient ship convinced that it is being stolen and must survive the machinations of a sadistic pirate king if they even hope to keep the dream of The Last Chance alive. -Goodreads

The Review:

Wait!! Don’t let the title scare you off – this is a new space opera series from TOR.

They’re taglining it as “Farscape meets The Great British Bake-off” and yes, I can see the comparison to Farscape and yes, a restaurant and cooking plays a roll in the story… however, I think they’re overselling the food aspect. I was expecting the setting and the overall story to have more to do with owning and operating a business – the restaurant as the central point which all of the other components/conflicts revolve. However, it was more just a quick novelty, and then we moved on to dealing with minor bad guys from the main character’s past.

Truth be told, in a market flooded with similar stories, the cooking was the only aspect that initially differentiated it from the rabble. Since that wasn’t really the focus, everything else was just okay, run-of-the-mill space opera. I didn’t have any particular connection to the characters. The conflict felt like a side story to all of the setup for the “Hive Mind,” from which they’d originally opened a restaurant to escape. And it used my least favorite writing tool of “just give me a chance to explain!” – “No!!” near the end that sucked what enjoyment I was having out of it.

However, that’s just me being a bit over critical. I’ve read so many space operas lately that I can’t often find joy in a basic, fun story like this one – I also need more depth, a bit of substance, and an overarching plot I can get behind. So, if you’re not grouchy like me, you might appreciate the lighthearted fun this novel offered and enjoy the interesting cast of characters.

Oh! One thing to it’s huge credit is the creation of many non-humanoid main characters. Not only were they fun concoctions, but talked, behaved, and interacted with the other characters in a way totally not human, which I loved. The story also contained an A.I. Spaceship, who’s emotional growth and development was by far the most interesting takeaway from the story. So, the book still has a lot of things going for it, personal expectations aside.

Originally receiving a review copy of this for audio production quality, I thought I’d also mention that the narrator for the audiobook, Vivienne Leheny, did a great job animating all the diverse beings and making them feel even more alien. Her performance definitely added to the experience.

Recommendations: If you’re seeking a lighthearted, quirky space opera read, this is a great pick. It won’t offer a lot of depth and substance, but it will offer the fun-factor.

Other books you might like:

by Niki Hawkes

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Book Review: Daisy’s Run by Scott Baron

Title: Daisy’s Run

Author: Scott Baron

Series: Clockwork Chimera #1

Genre: Science Fiction

Rating: 2.5/5 stars

The Overview: Rule #1: Don’t blow up and die. Rule #2: Always follow Rule #1 if at all possible. Life in deep space could be a drag sometimes, but Daisy supposed things could have been worse. She was still alive, after all, which was always a plus in her book. Now if only she could figure out who, or what, was endangering her return home, things would be just peachy. It had been one hell of a way to start the day––being rudely snapped from a deep cryo-sleep, and in the middle of a ship-wide crisis to boot––but Daisy was pleased to note that the ship had not decompressed, the crew hadn’t been blasted into space, and, most importantly, they hadn’t simply blown up. At least not yet. But being stuck on a damaged ship in the inky depths of space as it limped toward Earth was not exactly the relaxing trip home she’d imagined. With the powerful AI supercomputer guiding the craft beginning to show some disconcerting quirks of its own, and its unsettling cyborg assistant nosing into her affairs, Daisy’s unease was rapidly growing, as was her bigotry toward artificially intelligent beings. Add to the mix a crew of mechanically-enhanced humans, any one of whom she suspected might not be what they seemed, and Daisy found herself with a growing sense of dread tickling the periphery of her mind. Something was very much not right––she could feel it in her bones. The tricky part now was going to be figuring out what the threat was, before it could manifest from a mere sinking feeling in her gut into a potentially deadly reality.  –Goodreads

The Review:

This was almost a DNF.

I put the book down around the 45% mark, and it was only a random set of circumstances that had me picking it back up again about a week later. And what good fortune that I did, because only a few minutes into the revisit, the plot suddenly turned on its head and went from a basic scifi space story to an interestingly original take.

The book had a lot of good setup, but IMO it took way too long to get to the section where the author starting inputting his original ideas. I mean, I lost patience with it long before it hit that point but kept pushing through before finally giving up on it. Sure, the prose had a good flow and the dialogue was witty and fast-paced, but it wasn’t showing me anything I hadn’t seen a million times before… until the midway point. Then it offered a bunch of interesting twists, nice world building, and a good variety of settings. Ultimately, I’m glad the reading gods intervened and kept me reading.

Aside from it being what I thought was a highly predictable read initially, one of the reasons I felt okay putting it down was that I didn’t like the main character as much as I could have. Her dialogue was incredibly unrelatable, sounding more like a male character than female, especially in regards to the sex scenes. It seemed like it was more a conjuring of how some men wish women sounded rather than an organic depiction of a woman with more masculine speech, if that makes sense. Women don’t usually high five each other and use phrases like “I just got laid.” It conflicted with my paradigm. And it made the character seem forced.

There’s a specific tool many storytellers use in books and films to perpetuate plot that I just cannot stand: a misunderstanding between two characters that could be cleared up with a two minute conversation, but is dragged out because the main character is just too distraught ::high drama!!:: to hear anything else on the matter. It drives me crazy. It’s easier to pull off in books because you can only have one character speaking at a time, but it’s not realistic. How hard is it to talk over someone? This book used that tool not only once, but a couple of times to perpetuate the conflict. I realize this is a very personal peeve, so if that trope doesn’t bother you at all (and you can make it to the halfway point), the rest of the components are all there for a good story.

Series status: I probably won’t be continuing the series at this time, although I can see why it has gained some favor with other readers on Goodreads.

Recommendations: this scifi took a long while to get to the selling point of the novel. The great unique spin on things was perhaps a big enough payoff to warrant the wait, so if you pick it up, give it at least until the halfway mark before making the call.

Other books you might like:

by Niki Hawkes